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Until November 30,
Lost in Infinity 3 on view in a group show “Better with Age”, presented by the office of Manhattan Borough President Gale Brewer. 1 Centre Street, 19th floor south.

Until January 3,
Journal Entry 14, on view in a group show Art as Sanctuary, New York Society of Women Artists, in the Livingroom Gallery of St. Peter’s Church, Lexington Avenue at 53rd Street.

November-December 2017, a residency at the Carter Burden Center, 312 E. 109th Street.


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Recent news:


January, 2017, a room-size installation called Doors Open, Doors Close at Ceres Gallery, 547 W. 27th Street, 2nd floor. Tuesday-Saturday noon-6, Thursdays noon-8. Small works by women in domestic violence shelters are incorporated into my larger work.


I have 300 tiny works in Artists in the Archives: The Alternet, a collaborative project with over 75 artists, created by Carla Rae Johnson. still traveling since Jan 2013.

My third solo of drawings at the Morningside branch of the New York Public Library, February, 2017. Check back for details, or sign up at my blog for announcements.


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Tuesday, March 15, 2011

More about lines, and space

In two dimensions, on a canvas or on a wall or on paper, you start out with a solid, although it may be paper thin.  Lines are on it, they are not IT.  I want to capture space when I work in 3-D, Fred Sandback being my idol here.  But unlike Sandback, for most of my work I have had another idea, a concept that goes along, a story attached, like in House Divided at the side.  I've been using rolled newspapers of particular languages because rolled newspapers of random languages make no sense to me, why use newspaper?  But actually rolled newspaper is quite beautiful.  English will do, or Yiddish, the two languages I speak, and maybe they don't have to have a story.  I want to capture space.  Geometry is very meaningful to me, and beautiful as well, though wasn't to Sandback, at least that's what he said.  I am speaking in unvoiced language, including any system that conveys wordless meaning.

                         All that I know and All That I Want 5, water color & pencil, 10 x 16

Of course it is very possible to depict deep space in a painting or drawing.  But when I draw, I acknowledge that the lines are on a solid thing.  Space does not pass through.  So line becomes something else entirely for me, though line is always the start of anything I do, often in the form of text, even when in the end it's no longer visible.

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